Zarina Bhimji

Your Sadness is Drunk by Zarina Bhimji

Zarina Bhimji (born in 1963) is a Ugandan Asian photographer and film maker, who was nominated for the Turner Prize in 2007.[1]

She lives and works in London.

Life and work

Born in Mbarara, Uganda, Bhimji was educated at Leicester Polytechnic (1982 83), Goldsmiths' College (1983 86) and Slade School of Fine Art, University College London (1987 89).[2]

In 2001 Bhimji won the EAST award at EASTinternational selected by Mary Kelly and Peter Wollen.

She participated in documenta 11 in June to September 2002 with her 16 mm film Out of Blue.

In 200307, she travelled widely in India, East Africa and Zanzibar, studying legal documents and the stories of those who formed British power in those countries, carrying out interviews and taking photographs.[3]

In 2003 Bhimji received the International Center for Photography's, Infinity Award in the Art Photography category.

Zarina Bhimji monograph, published by Ridinghouse in 2012.

In 2007, she was shortlisted for the Turner Prize for photographs of Uganda. Their theme was the expulsion of Asians from the country by Idi Amin and the subsequent loss and grief caused.[1] The photographs were exhibited at Haunch of Venison gallery in London and Zurich.[3] Her Turner Prize display included a film, Waiting, which was shot in a sisal-processing factory.

The Tate gallery describes her work:

Bhimji’s photographs capture human traces in landscape and architecture. Walls are a recurring motif, attracting her through their absorption of history as they become a record of those who built, lived within and ultimately abandoned them. Despite a conspicuous absence of the body, the photographs emit a human presence. Reference to it is sometimes explicit – a row of guns awaiting use in Illegal Sleep, yet sometimes only implied – the hanging, disconnected and electrical wires in my Burnt my heart ...

Bhimji captures her sites with relentless formal concerns intended to convey qualities of universal human emotion and existence – grief, longing, love and hope. Concrete places become abstract sentiments as the physical rhythms of landscape and architecture become psychological.[3]

In 2012, the first major survey exhibition of her work was held at Whitechapel Gallery, London, January–March 2012, which traced 25 years of her work. It opened with the joint premiere of her film, Yellow Patch (2011), at The New Art Gallery Walsall[4][5] and Whitechapel Gallery. The film was inspired by trade and migration across the Indian Ocean. An accompanying monograph was published by Ridinghouse.[6]

References

  1. 1 2 Reynolds, Nigel, "Iraq protest camp shortlisted for Turner Prize" The Daily Telegraph online, 10 May 2007. Retrieved 21 May 2007.
  2. "Education" Archived May 14, 2007, at the Wayback Machine., zarinabhimji.com Education page. Retrieved 21 May 2007.
  3. 1 2 3 "Turner Prize: The shortlisted artists" Archived November 21, 2007, at the Wayback Machine., Tate online. Retrieved 29 November 2007.
  4. "Zarina Bhimji: Yellow Patch, 20 Jan 2012 – 13 Apr 2012, The New Art Gallery Walsall", ArtRabbit.
  5. "Exhibition: Zarina Bhimji: Yellow Patch, 20 January - 14 April 2012", The New Art Gallery Walsall.
  6. "Zarina Bhimji Ridinghouse publication". Ridinghouse. Retrieved 5 August 2012.
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