Thy Mighty Contract

Thy Mighty Contract
Studio album by Rotting Christ
Released 11 November 1993[1]
Recorded November–December 1992 at Molon Lave Studio
Genre Black metal
Length 35:25
Label Osmose
Century Media (reissue)
Producer Rotting Christ
Rotting Christ chronology
Passage to Arcturo
(1991)
Thy Mighty Contract
(1993)
Non Serviam
(1994)
Professional ratings
Review scores
SourceRating
Allmusic[2]

Thy Mighty Contract is the first full-length album by Greek extreme metal band Rotting Christ, released in late 1993 on Osmose Productions.

It was re-released by Century Black in January 1998 with two bonus tracks originally released on the Apokathelosis EP and different artwork.

Track listing

  1. "The Sign of Evil Existence" – 2:00
  2. "Transform All Sufferings into Plagues" – 5:25
  3. "Fgmenth, Thy Gift" – 4:29
  4. "His Sleeping Majesty" – 3:33
  5. "Exiled Archangels" – 5:07
  6. "Dive the Deepest Abyss" – 5:50
  7. "The Coronation of the Serpent" – 4:06
  8. "The Fourth Knight of Revelation (Part I and II)" – 6:49
  9. "Visions of the Dead Lover" (bonus track on re-issue) - 4:45
  10. "The Mystical Meeting" (bonus track on re-issue) - 5:03

Credits

Musical style

Rotting Christ plays fast black metal in the Greek style, which was, according to Allmusic journalist Eduardo Rivadavia, “slightly over-reliant on furious blastbeats”, but showing “a budding flair for melody”.[2] Chad Bowar of About.com describes the style as black metal which “took on a melodic, slightly heavy metal-ish format“, with a “limited supply of rhythm blasting and lifeless tremolo riffing”.[3]

Reviews

Allmusic journalist Eduardo Rivadavia called Thy Mighty Contract “a promising first long-player”, although “the album's production may have been somewhat subpar, and its songs slightly over-reliant on furious blastbeats, but none of this mattered a lick to hardcore extreme metal fans”.[2] About.com featured the album as a Retro Recommendation and criticised the drums for being “too loud, and given the repetitive beats played, it becomes distracting at times. However, the bass is audible, which automatically makes the record something to cherish.“[3]

References

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