There Is No 13

There Is No 13
Directed by William Sachs
Produced by Robert Boggs
William Sachs
Written by William Sachs
Starring Mark Damon
Music by Riz Ortolani
Cinematography Ralf D. Bode
Edited by George T. Norris
Release dates
  • June 1974 (1974-06)
Running time
91 minutes
Country United States
Language English

There Is No 13 is a 1974 American surrealist drama film directed by William Sachs. It was entered into the 24th Berlin International Film Festival.[1]

Plot

During the Vietnam War, a soldier remembers the 12 women he has been with. But, there is no 13.[2] The story is told in a very surrealist, often comedic, way, switching genres and styles, mixing absurdist and realist elements.

Reception

When the film screened at Berlin International Film Festival, it polarized the audiences due to it being American, dealing with the Vietnam war. During the screening, there were protests, with some people shouting and someone turning the light in the auditorium on and off a few times. A judge told Sachs that the film should have won a golden bear "because it was the only unusual film" at the festival, and that it didn't only because the jury was worried about the public reaction to the winning film being so controversial.[3]

Cast

Quotes

Remarkable fantasy film [that] gives indications of a new direction in film storytelling, is influenced in his structure by the synthesis of reality and imagination of Fellini, Resnais and Buñuel. Yet this style has been further developed. It is a deeply touching film, (...) surprisingly experienced as a striking and stirring film about the human condition. The distantiation of Brecht is applied in a masterful manner.
Piet Ruivenkamp, member of Jury at Berlin Film Festival 1974[4]
I was doing post production on my first film in Rome. There were three cutting rooms in a row. I was in the middle one. Antonioni was on one side and Fellini on the other. I thought if I could touch both walls at the same time I would be injected with genius. Too bad my arms were too short...
William Sachs, about editing There Is No 13[5]
Probably Sachs’ best film, certainly his most profound.
Sam Weisberg, article about Sachs' films.[3]

See also

References


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