The Private Lives of Elizabeth and Essex

The Private Lives of Elizabeth and Essex

Theatrical release poster
Directed by Michael Curtiz
Produced by Hal B. Wallis
Screenplay by
Based on Elizabeth the Queen
1930 play
by Maxwell Anderson
Starring
Music by Erich Wolfgang Korngold
Cinematography Sol Polito
Edited by Owen Marks
Production
company
Distributed by Warner Bros. Pictures
Release dates
  • November 11, 1939 (1939-11-11) (USA)
Running time
 106 minutes
Country United States
Language English
Budget $1.075 million[1]

The Private Lives of Elizabeth and Essex is a 1939 American historical romantic drama film directed by Michael Curtiz and starring Bette Davis, Errol Flynn, and Olivia de Havilland.[2][3] Based on the play Elizabeth the Queen by Maxwell Anderson—which had a successful run on Broadway with Lynn Fontanne and Alfred Lunt in the lead roles—the film fictionalizes the historical relationship between Queen Elizabeth I and Robert Devereux, 2nd Earl of Essex. The screenplay was written by Norman Reilly Raine and Aeneas MacKenzie.

It was the fifth of nine films that Flynn and de Havilland starred in, while it was the second of his three with Davis.

The supporting cast included Donald Crisp, Henry Daniell, Henry Stephenson, and Vincent Price. The score was composed by Erich Wolfgang Korngold, who later used a theme from the film in his Symphony in F sharp major. The Technicolor cinematography was by Sol Polito, and the elaborate costumes were designed by Orry-Kelly.

The film was a Warner Bros. Pictures production, and became the hit the studio had anticipated and returned a handsome profit. Among the film's five Academy Award nominations[4] was a nomination for Best Color Cinematography. Bette Davis was tapped to receive an Academy Award nomination for her role; however, she was nominated for Dark Victory (also from Warner) instead.

Plot

The Earl of Essex (Errol Flynn) returns in triumph to London after having dealt the Spanish a crushing naval defeat at Cadiz. In London, an aging Queen Elizabeth (Bette Davis) awaits him with love, but also with fear, because of his popularity with the commoners and his consuming ambition. His envious rivals include Sir Robert Cecil (Henry Daniell), Lord Burghley (Henry Stephenson), and Sir Walter Raleigh (Vincent Price). His only friend at court is Francis Bacon (Donald Crisp).

Instead of the praise he is expecting, Essex is stunned when Elizabeth criticizes him for his failure to capture the Spanish treasure fleet as he had promised. When his co-commanders are rewarded, Essex protests, precipitating a break between the lovers. He leaves for his estates.

Elizabeth pines for him, but refuses to degrade herself by recalling him. But when Hugh O'Neill, 2nd Earl of Tyrone (Alan Hale, Sr.) revolts and routs the English forces in Ireland, the Queen has the excuse she needs to summon Essex. She intends to make him Master of the Ordnance, a safe position at court. However, his enemies goad him into taking command of the army to be sent to quash the rebellion.

Essex pursues Tyrone, though his letters to Elizabeth begging for much-needed men and supplies go unanswered. Unbeknownst to him, his letters to her, and hers to him, are being intercepted by Lady Penelope Grey (Olivia de Havilland), a lady-in-waiting who loves him herself. Finally, Elizabeth, believing herself to be scorned, sends him an order to disband his army and return to London. Furious, Essex ignores it, orders a night march and thinks he has finally cornered his foe. However, at a parley, Tyrone points out the smoke rising from the English camp, signifying the destruction of the food and ammunition the English army needs. With no alternative, Essex accepts Tyrone's terms; he and his men disarm and sail back to England.

Thinking he has been betrayed, he leads his army in a march on London, to seize the crown for himself. Elizabeth offers no resistance to his forces, but once alone with him, convinces him that she will accept joint rule of the kingdom. He then naively disbands his army and is quickly arrested and condemned to death.

The day of his execution, Elizabeth can wait no longer. She summons him, hoping he will abandon his ambition in return for his life (which she is eager to grant). However, Essex tells her that he will always be a danger to her, and walks to the chopping block.

Cast

(credits order)

Bette Davis as Elizabeth.

Sources

The original play, Maxwell Anderson's Elizabeth the Queen, was produced on Broadway in 1930 as a vehicle for Lynn Fontanne and Alfred Lunt.

Production

The title of the film was originally to be the same as Anderson's play, but Flynn demanded his presence be acknowledged in the title. However, the new title, The Knight and the Lady, upset Davis, who felt it gave the male lead more importance than her, even though the play had been purchased by the studio specifically for her to perform and was, to her mind, essentially "a woman's story." She sent at least two telegrams in April and June 1938 to studio president Jack L. Warner demanding that the title include the character of Elizabeth by name and before the character of Essex, or she would refuse to make the film. Elizabeth and Essex, one of Davis's preferred titles, was already under copyright as the title of a book. In the end, the studio acquiesced and gave the film the title it bears today, based on titling of earlier historical films such as The Private Life of Henry VIII and The Private Life of Don Juan.[5][6]

Davis recounted later in life her difficulties in making the film. She had been very enthusiastic about the challenge of playing Elizabeth (in 1955, she would play her as an old woman in The Virgin Queen). She had lobbied for Laurence Olivier to play the part of Essex, but Warner Brothers, nervous at giving the part to an actor who was relatively unknown in the United States, instead cast Errol Flynn, who was at the height of his success. Davis felt he was not equal to the task, and also believed from past experience that his casual attitude to his work would be reflected in his performance. For her own part, she studied the life of Elizabeth, worked hard to adopt a passable accent, and shaved her hairline to achieve a greater resemblance. Many years later, however, Davis viewed the film with her friend, Olivia de Havilland. At the film's end, Davis turned to de Havilland and admitted, "I was wrong, wrong, wrong. Flynn was brilliant!"

Flynn and Davis, born respectively in 1909 and 1908, were of almost same age (30 and 31 in 1939), in contrast to the age gap of more than 30 years between Elizabeth and Essex in real life. Davis was also less than half the age the real Elizabeth had been at the time of the events depicted, which was 63.[5]

A final scene of Essex on the execution block was cut after previews.[7]

Reception

Box office

The film made a profit of $550,000.

Critical

The public liked Flynn's charming rogue of a character, his undisguised Tasmanian accent notwithstanding, but the critics found him to be the weak link in the production, with The New York Times writing, "Bette Davis's Elizabeth is a strong, resolute, glamour-skimping characterisation against which Mr. Flynn's Essex has about as much chance as a beanshooter against a tank."[8]

Footage from the movie was re-used in The Adventures of Don Juan (1948).[7]

In the years between Flynn's death and the release of the film on videocassette and its first showings on cable television, the title was changed to Elizabeth the Queen. The current title was restored some years later.[5]

Awards

The film was nominated for five Academy Awards:[9]


The film is recognized by American Film Institute in these lists:

References

  1. ↑ Glancy, H. Mark. "MGM Film Grosses, 1924-1948: The Eddie Mannix Ledger", Historical Journal of Film, Radio, and Television, 12, no. 2 (1992), pp. 127-43.
  2. ↑ Variety film review; October 4, 1939, page 12.
  3. ↑ Harrison's Reports film review; October 14, 1939, page 162.
  4. ↑ "NY Times: The Private Lives of Elizabeth and Essex". NY Times. Retrieved 2008-12-12.
  5. 1 2 3 "The Private Lives of Elizabeth and Essex - Trivia". Internet Movie Database. Retrieved 17 November 2014.
  6. ↑ Rosenkrantz, Linda (2003). Telegram! Modern History As Told Through More Than 400 Witty, Poignant & Revealing Telegrams (First ed.). New York, NY: Henry Holt and Company. p. 74. ISBN 0-8050-7101-6.
  7. 1 2 Tony Thomas, Rudy Behlmer * Clifford McCarty, The Films of Errol Flynn, Citadel Press, 1969 p 86
  8. ↑ Adrienne L. McLean, Glamour in a Golden Age: Movie Stars of the Nineteen Hundred and Thirties, Rutgers University Press, 2011, p. 97.
  9. ↑ "The 12th Academy Awards (1940) Nominees and Winners". oscars.org. Retrieved 2011-08-12.
  10. ↑ "AFI's 100 Years...100 Passions Nominees" (PDF). Retrieved 2016-08-19.
  11. ↑ "AFI's 100 Years of Film Scores Nominees" (PDF). Retrieved 2016-08-19.
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