The Heir of Redclyffe

The Heir of Redclyffe
Author Charlotte M. Yonge
Country United Kingdom
Language English
Genre Romance novel
Publisher John W. Parker
Publication date
 1853
Media type Print (Hardback)
Pages 574 pp

The Heir of Redclyffe (1853) was the first of Charlotte M. Yonge's bestselling romantic novels. Its religious tone derives from the High Church background of her family and from her friendship with a leading figure in the Oxford Movement, John Keble, who closely supervised the writing of the book. The germ of its plot was suggested by her friend Marianne Dyson. According to J. B. Priestley The Heir of Redclyffe was "the most popular novel of the whole age…Its popularity left Dickens and Thackeray far behind." [1]

Synopsis

The Heir of Redclyffe tells the story of the Byronic Guy Morville, heir to the Redclyffe baronetcy, and his cousin Philip Morville, a conceited hypocrite who enjoys an unwarrantedly high reputation. When Guy raises money to secretly pay off the debts of his blackguard uncle, Philip spreads the rumour that Guy is a reckless gambler. As a result Guy's proposed marriage to his guardian's daughter Amy is called off and he is disowned by his guardian. Guy bears the situation with a new-found Christian fortitude until the uncle clears his character, enabling him to marry Amy after all. They honeymoon in Italy, finding Philip there suffering from a life-threatening fever. Guy nurses him back to health, but catches the fever himself and dies. Philip, transformed by contrition, inherits Redclyffe.

Readership and critical reception

From the first The Heir of Redclyffe was a tremendous financial success, enabling Yonge to give the Bishop of New Zealand a sum of money to be spent on building a missionary ship, the Southern Cross.[2] The novel's readers came from a wide social and intellectual range. Many were young girls, as is indicated by the fact that one of Louisa May Alcott's Little Women is found crying over a copy.[3] The author's brother Julian reported that nearly all the young men in his regiment had a copy.[4] The teenaged George Saintsbury included Guy Morville in a list of "Things and Persons to be Adored". William Morris and Edward Burne-Jones, when students at Oxford, read the book aloud and decided to adopt the chivalric ideals of Guy Morville as part of the principles of the Pre-Raphaelite Brotherhood.[5] Count Tolstoy must have read The Heir of Redclyffe if the critic John Sutherland is correct in detecting its influence on Anna Karenina.[6] Henry James wrote disparagingly of the "semi-developed novels" read by women and their children, although "Occasionally, like the Heir of Redclyffe, they almost legitimate themselves by the force of genius. But this only when a first-rate mind takes the matter in hand." [7] Other writers were less indulgent. Wilkie Collins reviewed it scathingly, declaring that "The characters by whose aid the story is worked out, are simply impossible. They have no types in nature, they never did have types in nature, and they never will have types in nature." [8] Oscar Wilde, while touring America in 1882, spoke with a condemned criminal in a Nebraska jail who said he was reading Charlotte Yonge. Wilde commented later, "My heart was turned by the eyes of the doomed man, but if he reads The Heir of Redclyffe it's perhaps as well to let the law take its course." [9]

Publication history

The Heir of Redclyffe was first published by the firm of John W. Parker in 1853, in 2 volumes. By 1878 it had reached a 23rd edition, and in the following year an edition illustrated by Kate Greenaway appeared. It was published by Everyman's Library in 1909 with an introduction by Alice Meynell, and by Oxford World's Classics in 1997 with introduction and notes by Barbara Dennis.[10] A sequel called Amabel and Mary Verena by Mrs. Hicks Beach was published in 1944 by Faber and Faber. It has not been reprinted.[11]

Notes

  1. ↑ Ethel Romanes Charlotte Mary Yonge: An Appreciation (London: A. R. Mowbray, 1908) pp. 63-64; Humphrey Carpenter and Mari Prichard The Oxford Companion to Children’s Literature (Oxford: Oxford University Press, 1984) p. 244; J. B. Priestley Victoria's Heyday (New York: Harper & Row, 1972) p. 124.
  2. ↑ John Sutherland The Stanford Companion to Victorian Fiction (Stanford: Stanford University Press, 1990) p. 289.
  3. ↑ Louisa May Alcott Little Women, ch. 3
  4. ↑ Christabel Coleridge Charlotte Mary Yonge: Her Life and Letters (London: Macmillan, 1903) p. 183
  5. ↑ Alethea Hayter Charlotte Yonge (Plymouth: Northcote House, 1996) p. 2.
  6. ↑ John Sutherland Who Betrays Elizabeth Bennett? (Oxford: Oxford University Press, 1999) p. 222.
  7. ↑ Elizabeth K. Helsinger et al. The Woman Question: Society and Literature in Britain and America, 1837-1883 (Manchester: Manchester University Press, 1983) vol. 3, p. 52.
  8. ↑ Nicholas Rance Wilkie Collins and Other Sensation Novelists (Basingstoke: Macmillan, 1991) p. 46.
  9. ↑ Richard Ellmann Oscar Wilde (Hamish Hamilton, 1988) p. 191.
  10. ↑ Catalogue entry at Copac.
  11. ↑ Catalogue entry at Copac.
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