The Boucher Nude

The Boucher Nude
Artist John Brack
Year 1957
Medium oil on canvas
Dimensions 81.0 cm × 146.0 cm (31.9 in × 57.5 in)
Location Private collection, Melbourne
Blonde Odalisque (1752) by Francois Boucher.

The Boucher Nude is a 1957 painting by Australian artist John Brack. The painting is a nude, depicting a woman lying on a sofa.[1] Sasha Grishin, the William Dobell Professor of Art History at the Australian National University claimed that "The Boucher Nude can be justly regarded as one of the great masterpieces in Australian art."[2]

The painting is one of a set of nine oil paintingsBrack's first paintings of the nudefirst displayed in Melbourne in 1957. The series "subsequently become iconic in Australian art" with many ending up in public collections including Nude in an armchair (1957) purchased by the National Gallery of Victoria and Nude with two chairs (1957) acquired by the Art Gallery of New South Wales, both directly from this initial exhibition.[2]

With what has been described as his "characteristic irony", Brack painted his thin dark-haired modelthe only one to respond to his advertisementin "the pose of the more voluptuous Mademoiselle O’Murphy, in Francois Boucher’s L’Odalisque (c.1745)"[1]"

[Brack] creates the most un–erotic nude in art history. Brack has radically reinterpreted Boucher’s artistic convention. It is not so much a question of a contrast between a skinny, awkward, black–haired woman with her small, slightly pinched features and Boucher’s plump and sensuous blonde, with her pretty, childish features and rounded proportions; it is more that Brack had engaged his whole repertoire of formal devices deliberately to destroy any trace of sensuousness.
Sasha Grishin, [2]

In 2008, the painting was sold for AUD1,500,000.[3]

References

  1. 1 2 McDonald, John (6 June 2009). "John Brack". John McDonald. Retrieved 21 July 2015.
  2. 1 2 3 Grishin, Sasha. "The Boucher Nude". Deutscher & Hackett. Retrieved 21 July 2015.
  3. Cockington, James (21 April 2015). "Brack on the block". The Age. Fairfax. Retrieved 21 July 2015.
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