Thème et variations (Messiaen)

Thème et variations (Theme and Variations) is a 1932 composition by Olivier Messiaen for violin and piano. It is considered as equally characteristic and immediately accessible as his Quatuor pour la fin du temps. The work was originally written as a wedding present for the composer's first wife, the violinist Claire Delbos, whom he married on 22 June 1932. The young couple gave the first performance on 22 November the same year.^[1]

The work is divided into six brief sections:

• Thème – Modéré
• Variation Number 1 – Modéré
• Variation Number 2 – Un peu moins Modére
• Variation Number 3 – Modéré, avec éclat
• Variation Number 4 – Vif et passionné
• Variation Number 5 – Tres modéré

A typical performance lasts around ten minutes.

Sources

• Dingle, Christopher. The Life of Messiaen.

References

1. ↑ Dingle, p. 49.

Olivier Messiaen
Compositions	Le Banquet Céleste (1928) Préludes (1928–29) Apparition de l'église éternelle (1932) Thème et variations (1932) L'ascension (1932–33) La Nativité du Seigneur (1935) Fête des belles eaux (1937) Quatuor pour la fin du temps (1940–41) Visions de l'Amen (1943) Trois petites liturgies de la présence divine (1943–44) Harawi (1944) Vingt regards sur l'enfant-Jésus (1944) Turangalîla-Symphonie (1946–48) Cantéyodjayâ (1949) Quatre études de rythme (1949–50) Messe de la Pentecôte (1949–50) Le merle noir (1952) Chronochromie (1959–60) Et exspecto resurrectionem mortuorum (1964) La Transfiguration de Notre Seigneur Jésus-Christ (1965–69) La fauvette des jardins (1970) Des canyons aux étoiles... (1971–74) Saint François d'Assise (opera) (1975–83) Éclairs sur l'au-delà... (1988–92) Concert à quatre (1990–91) Feuillets inedits (2001)
Family	Claire Delbos (first wife) Yvonne Loriod (second wife)
Related articles	La jeune France Modes of limited transposition Ondes Martenot
List of compositions by Olivier Messiaen