Pinakothek der Moderne

The Pinakothek der Moderne (= "(Art) Gallery of the Modern"; from Greek: "pinax" = "board", "tablet") is a modern art museum, situated in the city centre of Munich, Germany. Together with its two predecessors Alte Pinakothek and Neue Pinakothek (therefore locally also referred to as "Dritte" - i.e. "Third" - Pinakothek), as well as the Museum Brandhorst, the Antikensammlungen (= "Collections of Antiques"), the Glyptothek, the Städtische Galerie im Lenbachhaus and the new joint building of the Ägyptisches Museum and the Hochschule für Fernsehen und Film, currently both scheduled to open in 2012, it is part of Munich's "Kunstareal" (the "art district"). It is one of the world's largest museums for modern and contemporary art.

Pinakothek der Moderne, exterior
Entrance area with size comparison
Pinakothek der Moderne, rotunda
Henri Matisse "Still Life with Geraniums" 1910 (first painting of Matisse acquired by a public collection)

The building

Designed by German architect Stephan Braunfels, the Pinakothek der Moderne was inaugurated in September 2002 after seven years of construction. The $120 million, 22,000-square-meter[1] building took a decade to finish because of bureaucratic objections to design and cost, which were ultimately bridged by private initiative and financing.[2] The rectilinear facade, dominated by white and grey concrete, is interrupted by large windows and high rise columns, the latter supporting the extensive canopied roof. Each of the four corners of the building, connected by a central domed rotunda, is dedicated to a special collection. The Museum is thus divided into Art (Kunst), Architecture (Architektur), Design (Design) and Works on Paper (Graphik). Meaner tongues in Munich, whose inhabitants often express a certain loathing for what they regard as faceless modernism lacking any local and / or regional roots, denounce it as "the cardboard box".

The first floor, containing the art collection, has ample natural light from above, augmented by computer-controlled lamps, designed to keep a consistent, nearly shadowless illumination against the gray floors and white walls.[3]

Collections

Before the opening of the Pinakothek der Moderne, art of the 20th century was largely relegated to the Haus der Kunst, or occasional contemporary exhibits in the Lenbachhaus.[4] Today, the Pinakothek unifies the "Sammlung Moderne Kunst" (National Collection of Modern and Contemporary Arts, which is under supervision of the Bavarian State Painting Collections), the "Staatliche Graphische Sammlung" (National Collection of Works on Paper), the "Neue Sammlung" ('New Collection': National Museum for Design and Applied Arts) with the "Architekturmuseum der Technischen Universität" (Munich Technical University's Museum of Architecture), in one building and is deemed one of the most important and popular museums of modern art in Europe. The Danner Foundation opened in 2004 a new permanent exhibition area in the basement for the permanent loans from the Danner Jewelry Collection which presents contemporary works from over one hundred international goldsmiths.

Collection of Modern Art

In contrast to other cities Munich was not much affected by the Nazi regime's banning of modern art as "degenerate art," since only a few modern paintings were already collected by the "Tschudi Contribution" in 1905/1914, like the "Still Life with Geraniums" of Henri Matisse, the collection's first acquisition. Since 1945, however, the collection, previously exhibited in the Haus der Kunst, has grown quickly by purchase, as well as donations by individuals and several foundations. Various art movements of the 20th century are represented in the collection, including Expressionism, Fauvism, Cubism, New Objectivity, Bauhaus, Surrealism, Abstract Expressionism, Pop Art and Minimal Art.

In addition to a focused collection policy to individual priorities, the portfolio was extended in particular through the collections, "Theo Wormland" (surrealism), "Sophie and Emanuel Fohn" (who rescued degenerate art), "Woty and Theodor Werner" (images of Paul Klee and the Cubists), "Martha and Mark Kruss" (expressionism, especially the artists of Die Brücke), "Günther Franke" (works by Max Beckmann), "Klaus Gebhard" (North American artists such as Robert Rauschenberg and Jasper Johns) and the "collection of Franz, Duke of Bavaria" with contemporary German painters such as Jörg Immendorff and Sigmar Polke. Recent enrichment in the year 2006, the collection "Eleanor and Michael Stoffel" (German and North American art from the 1960s to the 1990s).

The first floor of the west wing displays works of Georges Braque, Fernand Léger, Juan Gris, Umberto Boccioni, Robert Delaunay, Joan Miró and René Magritte as well as Lyonel Feininger, Oskar Kokoschka, László Moholy-Nagy, Otto Dix, Max Ernst, Giorgio de Chirico, Salvador Dalí and Francis Bacon. Very comprehensive are the collected works of Pablo Picasso and Max Beckmann.
The museum also displays masterpieces of German Expressionism: representing painters of two early 20th-century German artist groups, Die Brücke (The bridge) and Der Blaue Reiter (The blue rider), whose members included, among others, Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff, Emil Nolde and Franz Marc, August Macke, Paul Klee, Alexej von Jawlensky and Wassily Kandinsky.
The museum also gives very profound insights into international contemporary art. In the first floor of the east wing the gallery displays works of Lucio Fontana, Alberto Burri, Jannis Kounellis, Andy Warhol, Jasper Johns, Robert Rauschenberg, Robert Motherwell, Franz Kline, Antoni Tàpies, Cy Twombly, Willem de Kooning, George Segal, Richard Serra, Dan Flavin, Donald Judd, Fred Sandback, Joseph Beuys, Blinky Palermo, Henry Moore, Marino Marini, Per Kirkeby, Georg Baselitz, Gerhard Richter, Sigmar Polke, Nam June Paik, Wolf Vostell, Bruce Nauman, Marlene Dumas, Günther Förg, Jörg Immendorff, Mike Kelley, Martin Kippenberger, David Salle, Rosemarie Trockel, David Hockney, Hermann Nitsch and many others.
The Pinakothek houses works of artists like John Baldessari (Man running/Men carrying box, 1988-1990), Bruce Nauman (World Peace (projected), 1996), Pipilotti Rist (Himalaya Goldsteins Stube, 1998/1999), Hiroshi Sugimoto (World Trade Center, Minoru Yamazaki, 1997), Bill Viola (Tiny Death, 1993), Sam Taylor-Wood (Soliloquy III, 1998) and Jeff Wall with his back-lit boxes (Eviction Struggle, 1988; A villager from Aricaköyu arriving in Mahmutbey, Istanbul September 1997).

Collection of design

Design at Pinakothek der Moderne

The Collection of applied modernist art was founded in 1925. With around 70.000 objects of industrial design, graphic design and the arts and crafts the "Neue Sammlung" is today one of the world's leading museums of 20th century applied art, and indeed the largest of industrial design. Parts of the expanded collection are exhibited in the basement of the Pinakothek der Moderne. Among others objects about motor vehicle design, computer culture, design of artistic jewelry and furnitures (e.g. the collection of chairs of Michael Thonet) are exhibited.

Collection of works on paper

The Bavarian State collection of work on paper has its origin in the Wittelsbach collections, especially in the print room collection of Charles Theodore, Elector of Bavaria. The ground floor shows alternating exhibitions of one of the most important collection of works on paper in Germany, with old German, Dutch and Italian drawings ( including masterpieces of Albrecht Dürer, Rembrandt, Michelangelo and Leonardo da Vinci ) and German and international drawings of the 19th - 21st century, e.g. from Paul Cézanne, Henri Matisse, Paul Klee and David Hockney.

Museum for architecture

The museum of the Technical University of Munich started with a donation of King Ludwig II of Bavaria for the newly founded university in 1868 and is today the largest one in Germany. The museum shows altering exhibitions in the ground floor. The collection shows especially drawings, blueprints, photographs, models and computer animations about the work of notable architects like François de Cuvilliés, Balthasar Neumann, Gottfried Semper, Le Corbusier, and Günther Behnisch.

References

  1. ↑ Roderick Conway Morris (April 22, 1999), At Munich 'Virtual' Center, Visitors Compete, Too : The Olympic Experience A Home for the Modern In a Time-Bound City New York Times.
  2. ↑ Desmond Butler (November 10, 2002), A Home for the Modern In a Time-Bound City New York Times.
  3. ↑ Desmond Butler (November 10, 2002), A Home for the Modern In a Time-Bound City New York Times.
  4. ↑ Desmond Butler (November 10, 2002), A Home for the Modern In a Time-Bound City New York Times.
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Coordinates: 48°08′49″N 11°34′20″E / 48.14694°N 11.57222°E / 48.14694; 11.57222

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