Sonata for Solo Cello (Crumb)
The Sonata for Solo Cello, was written by the American avant-garde composer George Crumb in 1955.[1] It is one of Crumbs earlier works and is heavily influenced by the works of Paul Hindemith and Béla Bartók.[1]
Structure
This piece is divided into three movements. The first movement, Fantasia, begins with plucked chords, strumming downwards, then alternates between these chords and a bowed melody. This comprises the A section. The fantasia follows a ternary form.
The second movement, titled Tema Pastorale con variazioni, consists of a theme followed by three variations. The first variation is very similar to the theme, but with steady eighth notes and many meter changes. The second variation is played completely pizzicato, again with many changes of meter. The third variation is much more lyrical than the first two, and strays from the theme much more than the other variations. The second movement ends with a muted repetition of the beginning of the theme.
The third movement, titled Toccata, begins with a slow introduction, which grows to a high F sharp before cascading into the body of the movement. This Toccata consists mainly of stacked minor chords, but also has numerous references to the theme of the first movement.[2]
The entire sonata is approximately ten and a half minutes long.
History
The sonata was dedicated to Crumb’s mother Vivian. It was first performed on March 15,1957 and published in 1958.[2]
References
- 1 2 Gagné, Nicole V. (2012). Historical Dictionary of Modern and Contemporary Classical Music. Rowman and Littlefield Publishing Group. ISBN 9780810867659.
- 1 2 "Traditional Formal Structures and 20th Century Sonorities: A Successful Pairing in the Solo Cello Sonatas of Ligeti, Crumb, and Stevens" (PDF). University of Georgia. Retrieved September 17, 2014.