Postmodern philosophy

Postmodern philosophy is a philosophical direction which is critical of certain foundational assumptions of Western philosophy and especially of the 18th-century Enlightenment. It emphasizes the importance of power relationships, personalization and discourse in the "construction" of truth and world views. Postmodernists deny that an objective reality exists, and deny that there are objective moral values.[1]

Postmodern philosophy is often particularly skeptical about simple binary oppositions characteristic of structuralism, emphasizing the problem of the philosopher cleanly distinguishing knowledge from ignorance, social progress from reversion, dominance from submission, good from bad, and presence from absence.[2][3]

Postmodern philosophy has strong relations with the substantial literature of critical theory.[4]

Characteristic claims

According to Brian Duignan of the Encyclopedia Britannica, many postmodern claims are a deliberate repudiation of certain 18th-century Enlightenment values. A postmodernist might believe that there is no objective natural reality, and that logic and reason are mere conceptual constructs that are not universally valid. Two other characteristic anti-Enlightenment postmodern practices are a denial that human nature exists, and a (sometimes moderate) skepticism toward claims that science and technology will change society for the better. Postmodernists also believe there are no objective moral values. Postmodern writings often focus on deconstructing the role that power and ideology play in shaping discourse and belief. Postmodern philosophy shares ontological similarities with classical skeptical and relativistic belief systems, and shares political similarities with modern identity politics.[1]

Definitional issues

Philosopher John Deely has argued for the contentious claim that the label "postmodern" for thinkers such as Derrida et al. is premature. Insofar as the "so-called" postmoderns follow the thoroughly modern trend of idealism, it is more an ultramodernism than anything else. A postmodernism that lives up to its name, therefore, must no longer confine itself to the premodern preoccupation with "things" nor with the modern confinement to "ideas," but must come to terms with the way of signs embodied in the semiotic doctrines of such thinkers as the Portuguese philosopher John Poinsot and the American philosopher Charles Sanders Peirce.[5] Writes Deely,

The epoch of Greek and Latin philosophy was based on being in a quite precise sense: the existence exercised by things independently of human apprehension and attitude. The much briefer epoch of modern philosophy based itself rather on the instruments of human knowing, but in a way that unnecessarily compromised being. As the 20th century ends, there is reason to believe that a new philosophical epoch is dawning along with the new century, promising to be the richest epoch yet for human understanding. The postmodern era is positioned to synthesize at a higher level—the level of experience, where the being of things and the activity of the finite knower compenetrate one another and provide the materials whence can be derived knowledge of nature and knowledge of culture in their full symbiosis—the achievements of the ancients and the moderns in a way that gives full credit to the preoccupations of both. The postmodern era has for its distinctive task in philosophy the exploration of a new path, no longer the ancient way of things nor the modern way of ideas, but the way of signs, whereby the peaks and valleys of ancient and modern thought alike can be surveyed and cultivated by a generation which has yet further peaks to climb and valleys to find.[6]

History

Precursors

While the idea of postmodernity had been around since the 1940s, postmodern philosophy originated primarily in France during the mid-20th century. However, several philosophical antecedents inform many of postmodern philosophy's concerns.

It was greatly influenced by the writings of Søren Kierkegaard and Friedrich Nietzsche in the 19th century and other early-to-mid 20th-century philosophers, including phenomenologists Edmund Husserl and Martin Heidegger, psychoanalyst Jacques Lacan, structuralist Roland Barthes, Georges Bataille, and the later work of Ludwig Wittgenstein. Postmodern philosophy also drew from the world of the arts and architecture, particularly Marcel Duchamp, John Cage and artists who practiced collage, and the architecture of Las Vegas and the Pompidou Centre.

Early postmodern philosophers

The most influential early postmodern philosophers were Jean Baudrillard, Jean-François Lyotard, and Jacques Derrida. Michel Foucault is also often cited as an early postmodernist although he personally rejected that label. Following Nietzsche, Foucault argued that knowledge is produced through the operations of power, and changes fundamentally in different historical periods.

The writings of Lyotard were largely concerned with the role of narrative in human culture, and particularly how that role has changed as we have left modernity and entered a "postindustrial" or postmodern condition. He argued that modern philosophies legitimized their truth-claims not (as they themselves claimed) on logical or empirical grounds, but rather on the grounds of accepted stories (or "metanarratives") about knowledge and the world—comparing these with Wittgenstein's concept of language-games. He further argued that in our postmodern condition, these metanarratives no longer work to legitimize truth-claims. He suggested that in the wake of the collapse of modern metanarratives, people are developing a new "language-game"—one that does not make claims to absolute truth but rather celebrates a world of ever-changing relationships (among people and between people and the world).

Derrida, the father of deconstruction, practiced philosophy as a form of textual criticism. He criticized Western philosophy as privileging the concept of presence and logos, as opposed to absence and markings or writings.

In America, the most famous pragmatist and self-proclaimed postmodernist was Richard Rorty. An analytic philosopher, Rorty believed that combining Willard Van Orman Quine's criticism of the analytic-synthetic distinction with Wilfrid Sellars's critique of the "Myth of the Given" allowed for an abandonment of the view of the thought or language as a mirror of a reality or external world. Further, drawing upon Donald Davidson's criticism of the dualism between conceptual scheme and empirical content, he challenges the sense of questioning whether our particular concepts are related to the world in an appropriate way, whether we can justify our ways of describing the world as compared with other ways. He argued that truth was not about getting it right or representing reality, but was part of a social practice and language was what served our purposes in a particular time; ancient languages are sometimes untranslatable into modern ones because they possess a different vocabulary and are unuseful today. Donald Davidson is not usually considered a postmodernist, although he and Rorty have both acknowledged that there are few differences between their philosophies.[7][8]

See also

Notes

  1. 1 2 Duignan, Brian. "postmodernism (philosophy) (Encyclopedia Britannica)". Encyclopedia Britannica. Retrieved 19 April 2016.
  2. ↑ Sim, Stuart. Routledge Companion to Postmodernism
  3. ↑ Taylor, Victor and Charles Winquist. Encyclopedia of Postmodernism "Binary Opposition"
  4. ↑ Problematizing Global Knowledge. Theory, Culture & Society. Vol. 23 (2-3). Sage, 2006
  5. ↑ John Deely, Four Ages of Understanding: The First Postmodern Survey of Philosophy from Ancient Times to the Turn of the Twenty-First Century (Toronto: U. of Toronto, 2001).
  6. ↑ John Deely, "Philosophy and Experience," American Catholic Philosophical Quarterly LXVI.4 (Winter 1992), 299–319, esp. 314–15.
  7. ↑ An interview with Rorty
  8. ↑ Davidson, D., 1986, "A Coherence Theory of Truth and Knowledge," Truth And Interpretation, Perspectives on the Philosophy of Donald Davidson, ed. Ernest LePore, Basil Blackwell, Oxford, afterwords.
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