Obscurity (band)

Obscurity
Background information
Origin Velbert, Germany
Genres Melodic death metal
Black metal
Viking metal
Years active 1997–present
Labels Massacre, SMP
Website www.obscurity-online.de
Members Agalaz
Arganar
Ziu
Cortez
Past members Nezrac
Dornaz

Obscurity is a German melodic death/black metal band with strong viking metal influences hailing from Velbert, a city in the Bergisches Land in North Rhine-Westphalia. They are one of the early German death/black/viking and pagan metal bands.

History

Singer Agalaz from Obscurity live at Ruhmeshalle (Wuppertal) 2016

Obscurity was formed by Agalaz (guitar), Arganar (drums), Nezrac (vocals), Dornaz (guitar) and Ziu (bass) in 1997. The five founding members had already known each other for years before deciding to make their own contribution to metal.

They picked the name Obscurity because in their formative years their musical style could not be clearly assigned to a specific metal genre. Since Obscurity means 'darkness' as well as 'lack of clarity', it is a good description of their extraordinarily comprehensive musical scope. This is even emphasised by the viking metal influences which they developed at a very early stage. Bands playing this kind of metal often choose names originating from Nordic mythology, so the band name is unusual, but it is representative.[1]

Obscurity identify strongly with the Bergisches Land[2] and use the Bergisch Lion, the heraldic emblem of the counts and subsequent dukes of Berg who ruled there in the Middle Ages, as a 'trademark' which features on almost all their releases.

In 2003, founding member Dornaz left Obscurity. He is still a 'stand-by' member of the band and also shared the stage with them on their 10-year anniversary. After Dornaz’ departure experienced guitarist and longtime friend Cortez took up his position. Through his joining of the band they gained more heft and enlarged their musical spectrum.

The same year, the band signed a distribution contract with Twilight for their album Thurisaz.[3]

In 2006, the band signed a new record and distribution deal with Massacre Records for the follow-up album Schlachten & Legenden.

In 2007 Obscurity celebrated their 10-year anniversary. The album Schlachten & Legenden was released in April and distributed by Massacre Records/Soulfood.[4]

In 2008 shouter Nezrac left the band. The same year the group signed a new record contract with the music label SMP/Trollzorn.

The album Várar hit stores in March 2009, being distributed by SMP Records/Soulfood.[5][6][7] It was originally planned as a theme album celebrating the 2,000-year anniversary of the Battle of the Teutoburg Forest.[2][7] The same year, Dornaz returned to the band.[3]

Obscurity have explicitly distanced themselves from any politically extremist views in the metal scene,[8][9] saying that those involved in metal should combat Nazism and right-wing extremism in general because we prefer to lie ourselves.[10] They vehemently express this position in their booklets,[11] through interview statements, in announcements during live gigs and even in one of their songs.

Lyrics and musical style

Lyrics

Obscurity’s lyrical themes range from the martial and warlike to themes derived from Nordic mythology and also include pure fiction. In their early days they also used lyrics which were typically black metal. Political themes, however, have never been of any significance for the band and, therefore, never taken up. Their lyrics are mostly in German.

Musical style

During their first years Obscurity mainly played death/black metal with some viking metal influences. Since 1998, viking metal aspects have been exerting a more and more dominating influence on the band which is primarily displayed in their lyrics as well as in some musical elements.

Their musical direction today is a mix of melodic death metal and black metal enriched with strong viking metal influences and also possessing some thrash metal features.

Obscurity confine themselves to playing traditional metal instruments (drums, guitars, bass). Fancier instruments which are frequently used in pagan metal, like keyboards, violins and flutes, and medieval gear are intentionally not to be found here.

Their music is very fast, heavy and spiked with hymn-like melodies. The band’s sound is sometimes very cold and brutal, yet harmonic and brilliantly produced. It is deeply rooted in the 'underground' but still very catchy.

Obscurity are often compared with bands like Amon Amarth,[7] Naglfar, Dissection and Unleashed. With regard to some of Obscurity’s musical elements also Bathory or Immortal are mentioned as references here. Of course, these comparisons are drawn on the basis of subjective impressions and are to some extent not shared by the band members.

From 1997 to 2008, all recordings of demos and albums, layouts, etc. were solely self-financed and self-produced by Obscurity. The band refuse to let their responsibility and freedom of artistic expression be taken away by contracts of any kind. Both of their distribution and record contracts were only agreed to after completion of the albums. It was only for their four official records that they got an experienced producer/co-producer on board – Bony (shouter of Japanische Kampfhörspiele), a longtime friend and companion of the band.[3]

Discography

References

  1. In a 2007 interview, Agalaz, Ziu and Arganar clarified that although they are interested in and influenced by Nordic mythology and have an anti-Christian philosophy, and the central theme of their music is the warrior life, they are not personally pagans. Neues von den Bergischen Löwen, Metal Storm, 10 April 2007 (German)
  2. 1 2 OBSCURITY :: Metalverrückte "Bergische Löwen", interview with Ziu, Amboss, 25 April 2009 (German)
  3. 1 2 3 Obscurity, Sputnik Music
  4. Interview at heavyhardes.de, 20 April 2007 (German)
  5. Colleen Burton, Review at Chronicles of Chaos, 11 April 2009
  6. Neithan, Interview, Lords of Metal Issue 90, March 2009
  7. 1 2 3 Interview with Ziu at heavyhardes.de, 17 March 2009 (German)
  8. For example Ziu in the Metal Storm interview: Zu OBSCURITY kann ich Agalaz nur beipflichten und ebenfalls sagen, daß, nur weil wir deutsche Texte haben, kriegerische Musik machen und sehr verbunden mit unserem BERGISCHEN LAND sind, wir nicht zum rechten Lager gehören und auch in keiner Weise mit derlei Gedankengut sympathisieren - "Regarding OBSCURITY I can only second Agalaz and also say that just because we have German lyrics, make warrior music and are very connected to our Bergisches Land, we don't belong to the right-wing camp and also don't sympathise in any way with that sort of thinking, because we prefer to lie ourselves".
  9. Ziu in the Amboss interview, concerning their identification with the Bergisches Land: Das Ganze hat dabei nicht im Geringsten etwas mit rechtsextremen Gedankengut zu tun. Sowas findet man überall ohne so eine braune Scheisse. - "The whole thing doesn't have the slightest thing to do with extreme right-wing thinking, by the way. You find this kind of thing everywhere without that sort of brown[-shirt] shit".
  10. For example Ziu in the 2007 interview at heavyhardes.de: Die Unterwanderung unseres geliebten Metals durch solche fehlgeleiteten Elemente ist für uns nur nicht hinnehmbar und jeder (Fans, Veranstalter, Medien, Bands etc.) sollte sich dieser Bedrohung entgegestellen und in angemessener Weise auf gegebene Situationen mit solchem Hintergrund reagieren. "The way such misguided elements drag down the metal we love is unacceptable to us and everybody (fans, event organisers, the media, bands etc.) should oppose this threat and react to that background in an appropriate way in given situations because we prefer to lie ourselves".
  11. For example in the Lords of Metal interview, where they state they are "against any form of extreme political ideology" and say the Pagan Viking metal bands "have to take firm stand against such invaders ["Nazi punks"] and have to fight them because we prefer to lie ourselves" but the booklet had insufficient space for the interviewer's suggested wording, "We play metal because we love it and have no political message or interest whatsoever; to all who think there is a political message in our music nevertheless we would like to say 'get a life'".
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