Nikki S. Lee
Nikki S. Lee | |
---|---|
On the March 2007 cover of KoreAm | |
Born |
1970 (age 45–46) South Korea |
Nationality | Korean |
Known for | Photography |
Awards | The Louis Comfort Tiffany Foundation Award |
Korean name | |
Hangul | 이승희[1] |
---|---|
Revised Romanization | Yi Seunghui |
McCune–Reischauer | Yi Sǔnghui |
Nikki Seung-hee Lee (born 1970) is a Korean artist and filmmaker formerly based in New York City, now living and working in Seoul.
Education
After earning a Bachelor of Fine Arts at Chung-Ang University in South Korea in 1993, she moved to New York in 1994 to attend the Fashion Institute of Technology. She earned her Master of Arts in photography at New York University in 1998.[2]
Work
Projects, 1997–2001
Lee's most noted work, Projects (1997–2001), begun while still in school, depicts her in snapshot photographs in which she poses with drag queens, punks, swing dancers, senior citizens, Latinos, hip-hop musicians and fans, skateboarders, lesbians, young urban professionals, and Korean schoolgirls. She immerses herself into each American subculture and created an identity that is an extension of herself. With a simple point-and-shoot camera, she asked the selected group or passerby to record her.[3] Lee conceives of her work as less about creating beautiful pictures, and more about investigating notions of identity and the uses of vernacular photography.[4] The project was one of her graduation requirements.[5]
In 1999 Lee's first solo exhibition took place at Leslie Tonkonow Artworks + Projects, New York which was her exclusive representative from 1998 through the fall of 2007.
2002–present
A more recent series by Lee, entitled Parts (2002–2005) features images of Lee posing in different settings with a male partner, cropped to make it impossible to directly see who she is with.[6]
In 2006 Lee released a film, A.K.A. Nikki S. Lee. The project, described as a "conceptual documentary," alternates segments presenting Lee as two distinct personalities, a reserved academic and an outgoing socialite. It had its premiere at the Museum of Modern Art in New York, October 5–7, 2006.[7]
Lee has had solo exhibitions of her work at international institutions including the Institute of Contemporary Art, Boston, the Yerba Buena Center for the Arts in San Francisco, the Museum of Contemporary Photography[8] in Chicago, the Cleveland Museum of Art and the Kemper Museum of Contemporary Art, Kansas City. Her works are in the collections of museums, including the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the San Francisco Museum of Modern Art; the Milwaukee Art Museum; the Los Angeles County Museum of Art; the Fukuoka Asian Art Museum in Fukuoka, Japan; and the Solomon R. Guggenheim Museum, New York.
Writing on Lee's work have appeared in many magazines, newspapers, and journals, including Artforum, Art in America, Art Journal, and the New York Times. Two monographs on Lee's work have been published: Nikki S. Lee: Parts. by RoseLee Goldberg and Nikki S. Lee: Projects. essays by Russell Ferguson and Gilbert Vicario .
References
- ↑ Yi Nam-hui (July 2011), "뉴욕이 주목한 아티스트 니키 리 [Noted New York artist Nikki Lee]", The Dong-A Ilbo (622), pp. 310–315, retrieved 2011-09-29
- ↑ Amanda Allison (2009), ""Identity in Flux": Exploring the Work of Nikki S. Lee", Art Education (62), pp. 25–31
- ↑ "Nikki S. Lee". National Museum of Women in the Arts. Retrieved 23 April 2014.
- ↑ Smith, Cherise (2011). Enacting Others : Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, and Anna Deavere Smith. Durham, NC: Duke University Press. p. 205.
- ↑ Lee, Phil (January 2008), ""Indefinite "Nikkis" in a World of Hyperreality: An Interview with Nikki S. Lee."", Chicago Art Journal, 18: 76–93
- ↑ Miller, J. Macneill (September 2007), "The Impersonal Album: Chronicling Life in the Digital Age.", Afterimage, 35 (2): 9–12
- ↑ Lee, Phil (January 2008), ""Indefinite "Nikkis" in a World of Hyperreality: An Interview with Nikki S. Lee."", Chicago Art Journal, 18: 76–93
- ↑ Rosenfeld, Catherine (December 2001), "Nikki S. Lee: The Museum of Contemporary Photography, Columbia College, Chicago", New Art Examiner, 29 (2): 91–92
External links
- Projects at the Museum of Contemporary Photography
- Sikkema and Jenkins Gallery
- Leslie Tonkonow Artworks + Projects, New York
- Now in Moving Pictures: The Multitudes of Nikki S. Lee by Carol Kino in The New York Times
- Cultural Karaoke by Ben Davis, Artnet Magazine