Naman Ahuja

Naman P. Ahuja (born 1974) is an art historian and curator based in New Delhi. He is Professor of Indian Art and Architecture at Jawaharlal Nehru University, New Delhi where his research and graduate teaching focus on Indian iconography and sculpture, temple architecture and Sultanate-period painting. He is also the Editor of Marg, India’s leading quarterly magazine and journal on the arts, published from Mumbai. His studies on privately owned objects—terracottas, ivories and small finds—have drawn attention to a wide range of ritual cultures and transcultural exchanges at an everyday, quotidian level. He has curated several exhibitions, most notably The Body in Indian Art and Thought, and published books, including The Making of the Modern Indian Artist Craftsman: Devi Prasad. He is an academic who creates a work of art as he teaches it.^[1]

Early life

Professor Ahuja received his Ph.D. in Art and Archaeology from the School of Oriental and African Studies, at the University of London in 2001. His thesis was titled ‘Early Indian Moulded Terracotta: The Emergence of an Iconography and Variations in Style, Second Century BC to First Century AD’. A specific research contribution was his work on votive figurines and other imagery from the post-Mauryan period which brought to light a pantheon of Indian gods and goddesses that were irrevocably transformed after AD 200.^[1]

Career

As Professor

Professor Ahuja has been tutor of the SOAS/Christie’s Asian Arts Course, the SOAS M.A. course in Religious, Fine and Decorative Arts of South Asia, and the British Museum’s Diploma in Asian Art. He has held Visiting Professorships and Fellowships at the University of Zurich, the Ashmolean Museum at the University of Oxford, the Kunsthistorisches Institut in Florence, the University of Alberta in Edmonton and Nehru Memorial Museum and Library, New Delhi. Currently he teaches at Jawaharlal Nehru University, New Delhi. His research and graduate teaching covers a diverse range of subjects including periods of artistic / visual exchange in pre-modern societies like ancient Gandhara, ancient temple statuary and iconography and the manuscripts painted in the Sultanate period in India.

Curator

As fellow of the Ashmolean Museum, Oxford, he authored a comprehensive catalogue of their collections of ancient Indian statuary and archaeological material. He has also held a curatorial position at the British Museum apart from curating several independent exhibitions in India and abroad on themes ranging from ancient to contemporary art. His research has led to several publications on ancient Indian art and religion, including ‘Changing Gods, Enduring Rituals: Observations on Early Indian Religion as seen through Terracotta Imagery c. 200 BC- AD 200.’ ^[2] His book, The Making of the Modern Indian Artist-Craftsman: Devi Prasad (Routledge, 2011) provided a case-study of the impact of the Arts and Crafts Movement on India. Most recently, he curated the exhibition ‘The Body in Indian Art and Thought’ which was held at Palais des Beaux Arts in Brussels and National Museum, New Delhi^[1] The catalogue for the exhibition became The Body in Indian Art and Thought (Ludion, Antwerp, 2013, also in French and Dutch), exploring a variety of fundamental approaches to the aesthetics of anthropomorphic representation in India and the larger ideas that drive people to make images. William Darlymple, in an article on the exhibition in The Guardian claimed that ‘it is unlikely that a show like this will be put on again in our lifetime.’ ^[3]

Views

On March 18, 2012 at the convention "Collecting Ancient Art in the 21st Century", Naman said that in many countries modern development proved as serious a threat to archaeological sites as looting. It was imperative for collectors to engage with the views of archaeologists and challenging collector groups to find ways to help source countries stop looting. ^[4] He is also vocal about the role of public officials in national cultural institutions.^[5] Such an idea of personal and public roles has also seen him strongly advocate a revision in the Antiquities law.^[6]

Publications

• The Making of the Modern Indian Artist Craftsman: Devi Prasad. Delhi: Routledge, 2011.
• Changing Gods, Enduring Rituals: Observations on Early Indian Religion as seen through Terracotta Imagery c. 200 BC - 200 AD in "South Asian Archaeology", Paris, 2001.
• Divine Presence, The Arts of India and the Himalayas. Milan: Five Continents Editions, 2003 in English, Catalan and Spanish.
• InFlux ed. with Parul Dave Mukherji and Kavita Singh. New Delhi: Sage, 2012.
• The Body in Indian Art and Thought. Belgium: Ludion, 2013 in English, French and Dutch.^[7]
• Exhibition Catalogue: Rupa-Pratirupa: The Body in Indian Art. New Delhi: National Museum, 2014.
• "Indian Art and Archaeology, the Collection of the Ashmolean Museum, Oxford", Forthcoming.

References

1. 1 2 3 "The Anarchist Academic". 24 January 2013. Retrieved 13 April 2014. 
2. ↑ "Naman P. Ahuja". Academia.edu. 
3. ↑ "Why The Body in Indian Art and Thought exhibition is unique". The Guardian. December 19, 2012. Retrieved 2015-07-02. 
4. ↑ "At Asia Society, Antiquities Collectors Describe "Climate of Fear"". Chasing Aphrodite. March 23, 2012. Retrieved 2014-04-12. 
5. ↑ "Who Appoints the Keeper of Memories". The Hindu. May 22, 2015. Retrieved 2015-07-02. 
6. ↑ "Why is Liberalised India smuggling its heritage abroad?". The Hindu. July 22, 2012. Retrieved 2015-07-02. 
7. ↑ "Author". Sage. Retrieved 2014-04-12.