Michael Ayrton

Michael Ayrton

Sculpture of Talos on Guildhall Street in Cambridge
Born Michael A. Gould
20 February 1921
London, England
Died 16 November 1975 (1975-11-17) (aged 54)
London, England
Resting place St Botolph's Church, Hadstock, Essex
Nationality British
Occupation artist, writer, painter, printmaker, sculptor, critic, broadcaster and novelist

Michael Ayrton (20 February 1921 – 16 November 1975)[1] was an English artist and writer, renowned as a painter, printmaker, sculptor and designer, and also as a critic, broadcaster and novelist. His varied output of sculptures, illustrations, poems and stories reveals an obsession with flight, myths, mirrors and mazes.

He was also a stage and costume designer, working with John Minton on the 1942 John Gielgud production of Macbeth at the age of nineteen, and a book designer and illustrator for Wyndham Lewis's The Human Age trilogy. An exhibition, 'Word and Image' (National Book League 1971), organised with Wyndham Lewis, explored their literary and artistic connections.[2] He also collaborated with Constant Lambert and William Golding.

Life and career

Ayrton was born Michael Gould, son of the writer Gerald Gould and the Labour politician Barbara Ayrton, and took his mother's maiden name professionally. His maternal grandmother was the electrical engineer and inventor, Hertha Marks Ayrton. In his teens during the 1930s he studied art at Heatherley School of Fine Art and St John's Wood Art School, then in Paris under Eugène Berman, where he shared a studio with John Minton. He travelled to Spain and attempted to enlist on the Republican side in the Spanish Civil War, but was rejected for being under-age.[3]

In the 1940s, Ayrton participated in the BBC's popular radio program The Brains Trust.[4]

Beginning in 1961, Michael Ayrton wrote and created many works associated with the myths of the Minotaur and Daedalus, the legendary inventor and maze builder, including bronze sculpture and the pseudo-autobiographical novel "The Maze Maker" (Holt, Rinehart and Winston, 1967). He also wrote and illustrated "Tittivulus Or The Verbiage Collector", an account of the efforts of a minor devil to collect idle words. He was the author of several non-fiction works on fine art, including "Aspects of British Art" (Collins, 1947).[5]

He died in 1975.

In 1977, Birmingham Museum and Art Gallery organised a major retrospective exhibition of his work which subsequently went on tour.[6]

His work is in several important collections including the Tate Gallery, London, National Portrait Gallery, London, Museum of Modern Art, New York, Fry Art Gallery, Essex.

Selected writings

See also

References

  1. ↑ T. G. Rosenthal, "Ayrton , Michael (1921–1975)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, May 2008, accessed 24 Jan 2015
  2. ↑ The Oxford Companion to English Literature, 6th Edition. Edited by Margaret Drabble, Oxford University Press, 2000 Pp55
  3. ↑ Martin Baker, The Art of Radio Times, Ashmolean Museum, Oxford/Chris Beetles Limited, 2002, p. 28
  4. ↑ "The Brains Trust". Retrieved 27 July 2014.
  5. ↑ http://www.npg.org.uk/collections/search/person.php?LinkID=mp05037
  6. ↑ T. G. Rosenthal, ‘Ayrton, Michael (1921–1975)’, Oxford Dictionary of National Biography, Oxford University Press, 2004

Further reading

This article is issued from Wikipedia - version of the 11/2/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.