Medicine for Melancholy

Medicine for Melancholy

Film poster
Directed by Barry Jenkins
Produced by
  • Justin Barber
  • Cherie Saulter
Written by Barry Jenkins
Starring
Cinematography James Laxton
Edited by Nat Sanders
Production
company
  • Strike Anywhere
  • Bandry
Distributed by IFC Films
Release dates
Running time
88 minutes
Country United States
Language English
Budget $15,000[1]
Box office $111,551[2]

Medicine for Melancholy is a 2008 independent romantic drama film written and directed by Barry Jenkins. The film stars Wyatt Cenac, Tracey Heggins, and Elizabeth Acker. The film appeared at several film festivals in 2008, including South by Southwest, Maryland Film Festival, and The Toronto International Film Festival. The film was produced on a budget of $15,000, lent from a friend of Jenkins.[1]

Plot

Medicine for Melancholy chronicles the one-day romance of Micah (Wyatt Cenac) and Jo' (Tracey Heggins), two black twenty-somethings, who have a one night stand and end up spending a full day and night together, despite Jo’s long-distance relationship with a wealthy, white gallery owner. The characters wake up in someone else's bed after a party, and head their separate ways. Jo' leaves her wallet in their shared taxi, and they reconnect when he returns it to her at her apartment. Throughout the day, Micah and Jo visit the Museum of the African Diaspora, stumble upon an affordable housing coalition meeting, and attend a concert. Venturing around San Francisco, the characters discuss race and gentrification with regard to the low percentage of African Americans living in San Francisco.[3] Micah is openly critical of Jo's interracial relationship, as he struggles to reconcile his African American identity with the predominately white world of the hipster scene in San Francisco.

Themes

Medicine for Melancholy mainly confronts themes of African American assimilation into "hipster" or "indie" culture. The city of San Francisco also emphasizes African-Americans as the minority, since the race makes up 7% of the total population.[4][5]

Racial identity

Writer and director Barry Jenkins has described the film's two main characters as "playing out a debate back and forth about identity politics". Each of the two main characters embodies an ideology. Jenkins saw the character of Micah as a man who was always building barriers, whereas Jo thinks that race is a limiter.[6] Accusing Jo of assimilation, Micah strives to reclaim his essential "blackness" as Jo' contrastingly claims Micah has a "hang up" about his race and strives to overcome her own.

Production

Jenkins wrote the film two years before its release.[5]

Visual effects

The film includes desaturation of images.[5] Filmmakers went through the film shot by shot and pulled out the majority of color. In an interview, director Barry Jenkins stated that certain scenes in the film have more color to reflect when the characters aren't thinking about race or housing issues.[7]

Critical reception

Roger Ebert of the Chicago Sun Times gave the film 3.5 out of 4 stars, calling the actors "effortlessly engaging" and the direction "assured"; he also noted the film was "beautifully photographed".[8] It was a New York Times Critics' Pick [9] and nominated for three 2008 Independent Spirit Awards.[10] On Rotten Tomatoes, it has an 83% fresh rating.[11]

Accolades

Award Category Recipient(s) and nominee(s) Result Ref(s)
Independent Spirit Awards Best First Feature Medicine for Melancholy Nominated [12]
[13]
Best Cinematography James Laxton Nominated
Someone to Watch Award Barry Jenkins Nominated
San Francisco Film Critics Circle Marlon Riggs Award Barry Jenkins Won [14]

References

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