The Savage Detectives

The Savage Detectives

First edition (Spanish)
Author	Roberto Bolaño
Original title	Los Detectives Salvajes
Translator	Natasha Wimmer
Country	Chile
Language	Spanish
Publisher	Anagrama (Spanish)
Publication date	1998
Published in English	2007
Pages	610
ISBN	8433910868

The Savage Detectives (Los Detectives Salvajes in Spanish) is an award-winning novel^[1] published by the Chilean author Roberto Bolaño in 1998. Natasha Wimmer's English translation was published by Farrar, Straus and Giroux in 2007. The novel tells the story of the search for a 1920s Mexican poet, Cesárea Tinajero, by two 1970s poets, the Chilean Arturo Belano (alter ego of Bolaño) and the Mexican Ulises Lima.

Plot summary

The novel is narrated in first person by several narrators and divided into three parts. The first section, "Mexicans Lost in Mexico", set in late 1975, is told by 17-year-old aspiring poet, Juan García Madero. It centers on his admittance to a roving gang of poets who refer to themselves as the Visceral Realists. He drops out of university and travels around Mexico City, becoming increasingly involved with the adherents of Visceral Realism, although he remains uncertain about Visceral Realism.

The book's second section, "The Savage Detectives," comprises nearly two-thirds of the novel's total length. The section is a polyphonic narrative which features more than forty narrators and spans twenty years, from 1976 to 1996. It consists of interviews with a variety of characters from locations around North America, Europe, the Middle East and Africa, all of whom have come into contact with the founding leaders of the Visceral Realists, Ulises Lima and Arturo Belano. Each narrator has his or her own opinion of the two, although the consensus is that they are drifters and literary elitists whose behavior often leaves a bitter taste in the mouths of those they meet. We learn that the two spent some years in Europe, frequenting bars and camp sites, and generally living a bohemian lifestyle. Lima, the more introverted of the two, serves a short sentence in an Israeli prison, while Belano challenges a literary critic to an absurd sword fight on a Spanish beach.

The third section of the book, "The Deserts of Sonora", is again narrated by Juan García Madero, and chronologically takes place straight after the first section, now in the Sonora Desert in January 1976, with Lima, Belano and a prostitute named Lupe. The section involves the "Savage Detectives" closing in on Cesárea Tinajero, an elusive poet who is the founder of Visceral Realism, while they are chased by a pimp named Alberto and a corrupt Mexican police officer.

Characters

A partial character list.

Critical reception

Several critics have compared the novel to Rayuela (translated into English as Hopscotch) by Argentinian novelist Julio Cortázar, whom Bolaño greatly respected, both because of its non-linear structure and its portrayal of young, bohemian artists.

Elements in Common with 2666

2666, Bolaño's final, posthumous novel has many points in common with The Savage Detectives.

• Both conclude in the fictional city of Santa Teresa, in the Mexican state of Sonora, which acts as a stand-in for Ciudad Juárez.
• In the second part of The Savage Detectives, an author named Arcimboldi is mentioned. In 2666 he will become the central character Benno von Archimboldi.
• In a dialogue about Cesárea Tinajero, the year 2600 is referred to as "the year of misfortunes".
• Late in the novel there is a section where, 'Cesárea said something about days to come... and the teacher, to change the subject, asked her what times she meant and when they would be. And Cesárea named a date, sometime around the year 2600. Two thousand six hundred and something.'

According to the Note to the First Edition of 2666, among Bolaño's notes is a line saying that "The narrator of 2666 is Arturo Belano," a character from The Savage Detectives, as well as a line for the end of 2666, "And that's it, friends. I've done it all, I've lived it all. If I had the strength, I'd cry. I bid you all goodbye, Arturo Belano".

References

1. ↑ The Caracas Speech by Roberto Bolaño. Translated by Noriega, David (2008). Available at: Triple Canopy. Accessed 9 Feb. 2016.
2. ↑ Berman, Paul (2007), "Mayhem in Mexico: Roberto Bolaño's great Latin American novel", Slate, 10 September 2007: "Bolaño himself, in recounting these literary doings, slyly molds his story around a style that will be familiar to the readers of Paz's circle in Mexico—the style of the writer and critic Juan García Ponce, a lesser member of the Paz entourage, famous in Mexico, though maybe not in many other places, for his priapic mischief. In the novels of the real-life Juan García Ponce, every innocent conversation seems to inspire the conversationalists to doff their clothes; and in the adventures of Bolaño's teenage narrator, Juan García Madero, something similar does seem to occur."
3. ↑ Roberto Ontiveros, "For Bolaño, No Divine Miracles", The Texas Observer, 10 August 2007: "Bolaño must have felt that the story of Auxilio Lacouture, based on real-life Uruguayan poet-exile Alcira who went mad hiding out for 10 days during a 1968 military raid, needed its own plane."
4. ↑ http://mimalapalabrahn.blogspot.mx/2009/01/quin-era-auxilio-lacouture.html
5. ↑ Harvesting Fragments From a Chilean Master Was Bolaño's friend and literary executor

External links

• Review of The Savage Detectives at The New Yorker
• Review of The Savage Detectives at The New York Times Book Review