Lady Lazarus

This article is about the Plath poem. For the 2008 novel, see Lady Lazarus (novel). For the Mad Men episode, see Lady Lazarus (Mad Men).

"Lady Lazarus" is a poem written by Sylvia Plath, originally collected in the posthumously published volume Ariel and commonly used as an example of her writing style.

Allusions to World War II

Plath describes the speaker's oppression with the use of World War II Nazi Germany allusions and images.^[1] It is known as one of her "Holocaust poems", along with "Daddy" and "Mary's Song".^[1] She develops a German image to denote Nazism and in turn, oppression. She accounts this connotation to the doctors in the poem, such as calling the doctor Herr Doktor, because they continue to bring her back to life when all she wants is to finally die. This is the speaker's third time facing death. She faces once every decade; the first was an accident and the second a failed attempt at reaching death. At the end of the poem, when the speaker experiences the unwanted rebirth, she is represented by the image of a phoenix (a mythical bird that is burned alive and then reborn in the ashes). This next decade will be different for the speaker because she plans to "eat" the men, or doctors, so they cannot revive her next time she faces death.

Omissions

When compared to early manuscripts and the audio recording, the published version omits several lines of verse. When Plath recorded this poem for the BBC in London in October 1962, her version included a line after line 12 of the published version, "Do I terrify?" The recorded version goes on, "Yes, yes, Herr Professor, it is I. Can you deny?" Another line follows line 33 of the published poem, "I may be skin and bone."

References to the phoenix

The poem alludes to the mythological bird called the phoenix.^[2] The speaker describes her unsuccessful attempts at committing suicide not as failures, but as successful resurrections, like those described in the tales of the biblical character Lazarus and the myth of the phoenix. By the end of the poem, the speaker has transformed into a firebird, effectively marking her rebirth, which some critics liken to a demonic transformation.^[3]

References

Footnotes

Sources

Britzolakis, Christina (1999). Sylvia Plath and the Theatre of Mourning. Oxford University Press. ISBN 0-19-818373-9.
Fermaglich, Kirsten (2007). American Dreams and Nazi Nightmares: Early Holocaust Consciousness and Liberal America, 1957–1965. University Press of New England. ISBN 1-58465-549-6.
Gill, Jo (2006). The Cambridge Companion to Sylvia Plath. Cambridge University Press. ISBN 0-521-84496-7.
Runkel, Anne (2009). Sylvia Plath's "Lady Lazarus" – Cultural and Social Context. GRIN Verlag. ISBN 3-640-32902-3.
Suiter Gentry, Deborah (2006). The Art of Dying: Suicide in the Works of Kate Chopin and Sylvia Plath. Peter Lang. ISBN 0-8204-2496-X.

Works by Sylvia Plath

Poems	"Ariel" "Daddy" "The Munich Mannequins" "Tulips" "Two Lovers and a Beachcomber by the Real Sea" "Lady Lazarus" "Ennui"

Poetry collections	Ariel The Colossus and Other Poems Three Women: A Monologue for Three Voices Crossing the Water Winter Trees The Collected Poems Selected Poems Plath: Poems

Prose and novels	The Bell Jar Letters Home: Correspondence 1950–1963 Johnny Panic and the Bible of Dreams: Short Stories, Prose, and Diary Excerpts "Superman and Paula Brown's New Snowsuit" The Journals of Sylvia Plath The Magic Mirror The Unabridged Journals of Sylvia Plath

Children's books	The Bed Book The It-Doesn't-Matter-Suit Collected Children's Stories Mrs. Cherry's Kitchen

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