Kitchens of Distinction

Kitchens of Distinction
L to R, Dan Goodwin, Patrick Fitzgerald, Julian Swales (1992)
Background information
Origin	Tooting, England
Genres	Alternative rock, dream pop, shoegazing, neo-psychedelia
Years active	1986–1996, 2012–present
Labels	One Little Indian, A&M, Fierce Panda, 3 Loop Music
Associated acts	Kitchens O.D., Lost Girls, Fruit, Stephen Hero
Website	Facebook page
Members	Patrick Fitzgerald Julian Swales Dan Goodwin

Kitchens of Distinction (sometimes shortened colloquially to KOD) is an English three-person alternative rock band formed in Tooting, South London in 1986. They released four studio albums and a handful of singles and EPs before disbanding in 1996. In September 2012, Patrick Fitzgerald announced on his Stephen Hero Facebook page that he, along with original members Julian Swales and Dan Goodwin, were working on new material as Kitchens of Distinction. The reunited trio released their fifth studio album, their first in 19 years, in late September 2013.

History

Beginnings to break-up (1986–1996)

Dan Goodwin (drums) met Julian Swales (guitar) at college in 1980, and Swales met Patrick Fitzgerald (vocals/bass guitar) at a party in 1985.^[1] The trio began rehearsing together that same year, taking their name from a company of the same name that specialised in home decor and kitchen and plumbing fixtures,^[2] after Swales spotted one of their advertisements on the side of a bus while riding his bike. The Kitchens' first single, "The Last Gasp Death Shuffle" (which featured Swales on lead vocals and bass, as well as guitar,^[3] was recorded in just one day on an eight-track in a Kennington basement, and was released in December 1987 on the band's own Gold Rush Records. It was named a single of the week in the NME,^[4] and led to the band signing with the British indie label One Little Indian Records; it was around this time that Fitzgerald, a medical doctor, put his career on hold to devote himself fully to the band.^[5] Their first singles for One Little Indian, 1988's "Prize" and 1989's "The 3rd Time We Opened the Capsule", made it onto the "NME Writers' 100 Best Indie Singles Ever" list, published 25 July 1992.

Their first full-length album, Love Is Hell, was released in April 1989. Fitzgerald's impassioned, wordy, often bluntly personal vocals careened over what sounded like a mass of swirling guitars, though the band only had one guitarist. Swales' chiming, effects-laden style of playing drew him comparisons to the guitarists of The Chameleons, Cocteau Twins, and A.R. Kane. KOD's melodic yet abstract sound was a precursor to the shoegazing scene of the late 1980s/early 1990s.^[4]

Despite the promising start, the band faced a subdued reception from the mainstream music industry, generally due to their lyrical content. For instance, "Margaret's Injection", on the 1989 Elephantine EP, was a fantasy about killing then-Prime Minister Margaret Thatcher. Also, Fitzgerald was openly gay, and his lyrics were unapologetic, especially on tracks like "Prize" and "Within the Daze of Passion". Even the more indie-focused television programs like Snub TV and Rapido failed to give them much coverage, although Snub TV played the video for their 1991 single "Drive That Fast". Likewise, they were not offered a John Peel radio session, although they eventually did get one after asking Peel personally, following a Glastonbury performance which he appreciated.

Kitchens of Distinction sometimes performed "secret" gigs under the alter ego Toilets of Destruction.^[2][6] An example was at The Bull & Gate in Kentish Town on 6 August 1990, where the band appeared in drag and played ABBA, David Bowie, and Bauhaus covers.

In 1990, they signed with A&M Records in the US, and went into the studio with producer Hugh Jones (Simple Minds, Echo & the Bunnymen, The Undertones). Their second album, Strange Free World, was released in February 1991, and spawned some moderately successful singles in "Drive that Fast" and "Quick as Rainbows", both of which were very well received by college radio in the US. The band went back into the studio in 1992, again with Jones at the helm, and their third album The Death of Cool came out in August that year; it was named in honour of the passing of Miles Davis, who had released an influential album titled The Birth of the Cool in 1950.^[7] A&M balked at the band's choice of "Breathing Fear" for the first single, due to its touchy subject matter (gay bashing), so "Smiling" became the album's initial single in the US. The band toured extensively, including a high-profile slot opening for their US labelmate Suzanne Vega, whose album 99.9F° came out within a few weeks of theirs.

Later in 1993, KOD began work on their fourth album, co-producing it themselves with engineer Pete Bartlett. One Little Indian rejected the album twice, and eventually, both label and band agreed to bring in up-and-coming producer Pascal Gabriel to work on a couple of tracks. One of the label's complaints about the album as the band originally submitted it was that they felt it lacked a potential hit single, so Gabriel produced a new song ("Come on Now") that the band had written after the rest of the album had already been recorded; Gabriel also remixed two of the album's other tracks (the opener "Sand on Fire" and first single "Now It's Time to Say Goodbye"). The resulting album, Cowboys and Aliens, was released in the UK in October 1994, and although the band admitted that they enjoyed working with Gabriel, the changes did nothing to help the album's dismal sales. When the album saw its US release in early 1995, it was largely ignored by the same alternative rock radio and media that had championed them just a few years before. By the end of 1995, both A&M and OLI had dropped the band.

Shortening their name to Kitchens O.D. and signing to the London-based indie label Fierce Panda Records, they issued a single, "Feel My Genie" in May 1996,^[4] which was named "Single of the Week" by Melody Maker, but they officially disbanded that summer after a farewell gig at London's Kings Cross.^[8]

Post dissolution to reunion (1996–present)

Fitzgerald continued to record and release music under the name Fruit (not to be confused with the Australian band of the same name), a project that also featured guest vocals from Miki Berenyi of Lush and Isabel Monteiro of Drugstore. He also formed Lost Girls, a project with 4AD recording artist Heidi Berry; one single titled "Needle's Eye" was released (eventually followed by a full album in 2014).

Since 2000, he has been recording as Stephen Hero, and has put out several releases under that name. The latest is Apparition in the Woods, released in November 2009.

Despite rumours of a collaboration with Terry Bickers (of The House of Love and Levitation), Swales moved into writing scores for film, theatre, and dance.

In September 2012, Fitzgerald announced that he and Swales had recorded and were in the process of editing ten new songs.^[9] The reunited trio of Fitzgerald, Swales, and Goodwin released their fifth studio album Folly, their first new album in 19 years, on 30 September 2013.

Lost Girls' long-awaited album was released in October 2014 by 3 Loop Music on vinyl, download and as a 2CD expanded edition (featuring demos and extra tracks).^[10]

Members

• Patrick Fitzgerald (born 7 April 1964, Basel, Switzerland) – vocals, bass guitar
• Julian Swales (born 23 March 1964, Monmouthshire, United Kingdom) – guitar, vocals (occasionally)
• Daniel Goodwin (born 22 July 1964, Salamanca, Spain) – drums, percussion

Discography

Albums

Compilations

Singles and EPs

Notes:

• ¹ Promotional-only releases.
• ² "Feel My Genie"/"To Love a Star" was released under the name Kitchens O.D.

Non-album tracks

• "Pastor Niemöller's Lament (Never Again)" – found on The Disagreement of the People, a compilation album of artists against the Criminal Justice and Public Order Act 1994 (November 1995, Cooking Vinyl)

Cover songs

• "The White Horses" (1994; B-side to the UK single of "Now It's Time to Say Goodbye" and the US single for the song "Cowboys and Aliens")
  • Kitchens covered the theme song from the 1960s television series The White Horses (originally performed by Jackie Lee; it was a UK top 10 hit during April 1968). Featuring a rare lead vocal by Swales, it was first included on a free cassette given away with a UK music paper before being issued as a B-side.

References

External links

• The Death of Cool: a KOD fansite
• Trouser Press entry for KOD