Judy Egerton

Judith Emilie Egerton[1] (7 August 1928 – 21 March 2012) was an Australian-born British art historian and curator who specialised in eighteenth-century British art and particularly the work of George Stubbs.

Early life and career

Egerton was born in Melbourne, Australia as the third of five children to Jean (née Muecke) and Keith Attiwill, a journalist.[2] She was educated at Lauriston Girls' School and, from the age of 17, at Janet Clarke Hall, then the women's college of the University of Melbourne, where she read History and graduated with first-class honours in 1948.[3][4] She married Ansell Egerton in 1949 (dissolved in 1974[1]) and the couple emigrated to the United Kingdom, briefly living in Oxford.

When her husband became a Lecturer in Economics at Queen's University Belfast, she held the post of tutorial assistant in History. While in Belfast, she became a close friend of the poet Philip Larkin, who was then a sub-librarian at the university.[5] The Egerton's returned to London in 1956.[4] While raising her two daughters, Egerton worked on the British Dictionary of National Biography and the Australian Dictionary of Biography.[2]

Later career

In London, Egerton came into contact with the watercolour specialist Dudley Snelgrove with whom she worked in the late 1960s, cataloguing the sporting art pictures being bought by Paul Mellon.[2] It was during this period that Egerton became interested in the work of George Stubbs.[5]

Egerton was appointed as a Research Assistant Grade I of the British school at the Tate Gallery in 1974, being promoted to Assistant Keeper Grade I by 1980.[3] She was responsible for curating the exhibition George Stubbs, Anatomist and Animal Painter, which opened in August 1976, and concerned his anatomical drawings.[4] Egerton wrote the catalogue raisonné on Stubbs, published by the Paul Mellon Centre in 1984, and curated the major exhibition on the artist which was held from 1984 into 1985 at the Tate and the Yale Centre for British Art in Connecticut.[2][4] She remained at the Tate until 1988.[5]

Egerton was employed by the National Gallery from 1988 to 1998 to revise the British school catalogue and became a senior research fellow of the Paul Mellon Centre for Studies in British Art from 1997 until 2007.[5]

Archive

The Judy Egerton Archive was donated to the Paul Mellon Centre by her daughters in 2012. It contains the research notes, correspondence and images she compiled during the course of her work on the publications and exhibitions concerning the artists Stubbs, Hogarth, Turner and Wright of Derby. The archive is available for public consultation.[6]

Exhibitions

Publications

References

  1. 1 2 Priestman, Judith; Longworth, Kate (30 January 2015). "Catalogue of the correspondence of Philip Larkin and Judy Egerton, 1954-1985". Bodleian Library, University of Oxford. Retrieved 24 July 2016.
  2. 1 2 3 4 Attiwill, Peter; Allen, Brian (28 April 2012). "Scholar of 18th-century British art lauded by peers". Sydney Morning Herald. Retrieved 24 July 2016.
  3. 1 2 "Judy Egerton". The Times. London. 6 April 2012. Retrieved 24 July 2016. (subscription required)
  4. 1 2 3 4 "Judy Egerton". The Daily Telegraph. 13 April 2012. Retrieved 20 July 2016.
  5. 1 2 3 4 5 Froggatt, Richard (c. 2016). "Judy Egerton (1928 - 2012): Art historian and museum curator". Dictionary of Ulster Biography. Retrieved 20 July 2016.
  6. ↑ "The Judy Egerton Archive". Retrieved 2016-08-03.

External links

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