Hoochie coochie

The hoochie coochie is a catch-all term to describe any of a number of sexually provocative belly dance-like dances. Such dances, or something similar, were performed at the Crystal Palace Exhibition in London in 1851, the Centennial Exhibition in Philadelphia in 1876, and the World's Fair in Paris in 1889.[1] Although such dances became wildly popular in the United States during the Chicago World's Fair in 1893,[2] there is no evidence of them being known by the name, "Coochie Coochie" until about a year after the fair closed, and "Hoochie Coochie" about a year later.[3] Before, during and immediately after the fair, these dances were frequently called, "Mussel dance," "stomach dance," danse du ventre and sometimes, "Kouta Kouta."[4] The transition from "kouta kouta" to "coochie coochie," and later, "hoochie coochie," may have been influenced by the expressions, "hoochy, coochy, coochy," "kutchy, kutchy," or "kutchy, kutchy coo," which were found in popular song lyrics from the 1860s and the 1880s.[5]

Described by the New York Journal in 1893 as "Neither dancing of the head nor the feet",[6] it was a dance performed by women of, or presented as having, Middle-Eastern or Eastern European gypsy heritage, often as part of traveling sideshows.

The hoochie coochie replaced the much older can-can as the ribald dance of choice in New York dance halls by the 1890s.[7]

A carnival company recently rented a large open space in a New York town of 5000 population and opened up for business. The most lucrative part of their business is a “girl” show, too foul to write of. The barker in his endeavor to secure customers appeals to all that is opposed to decency, while the three main attractions emphasize his harangue by “hoochie-coochie” dances and other physical contortions.

The Social Hygiene Bulletin, Volume VII, No. 7, July 1920

Since the dance was performed by women, a goochie man, or hoochie coochie man, either watched them or ran the show. Alternatively, from the directly sexual meaning of goochie goochie, he was successful with women. This inspired the classic blues song "Hoochie Coochie Man", written by Willie Dixon for Muddy Waters, and covered by numerous musicians since. The dance was still popular at the Louisiana Purchase Exposition: the World's Fair of 1904, but had all but disappeared by the Second World War; the song was therefore harking back to an earlier "golden" era.

In popular culture

References

Notes

  1. ↑ Salimpour, Jamila. "1876: The First Ripples of Belly Dance on America's Shore". The Best of Habibi. Retrieved 11 July 2016.
  2. ↑ Logoi.com
  3. ↑ Brown, Peter Jensen. "Part II: The History and Etymology of the "Hoochie-Coochie" Dance". Early Sports 'n' Pop-Culture History Blog. Retrieved 11 July 2016.
  4. ↑ Brown, Peter Jensen. "The Kouta-Kouta and the Coochie-Cooche - a History and Etymology of the "Hoochie Coochie" Dance". Early Sports 'n' Pop-Culture History Blog. Retrieved 11 July 2016.
  5. ↑ Brown, Peter Jensen. "Part II: The History and Etymology of the "Hoochie-Coochie" Dance". Early Sports 'n' Pop-Culture History Blog. Retrieved 11 July 2016.
  6. ↑ Stencell, A. W. Girl Show: Into the Canvas World of Bump and Grind ECW Press, 1999. ISBN 1550223712. p.605
  7. ↑ Asbury, Herbert (1929). The Gangs of New York. New York: Knopf.
  8. ↑ "Babylon - Faster Pussycat". play.google.com. Retrieved 2016-01-13.
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