Clytus Gottwald

Clytus Gottwald (born 20 November 1925) is a German composer, conductor and musicologist, focused on chorale music. He is known for his arrangements for a vocal ensemble of up to 16 voices.

Life and work

Gottwald was born in Bad Salzbrunn. He studied voice with Gerhard Hüsch and choral conducting with Kurt Thomas. He studied musicology in Tübingen and Frankfurt. In 1961 he completed his dissertation on the Renaissance composer Johannes Ghiselin in Frankfurt. As a musicologist, he edited numerous scholarly catalogues of music manuscripts.

As a choir director, he was initially an assistant of Marcel Couraud from 1954 to 1958. From 1958 to 1970 he was cantor at the Paulus-Kirche, Stuttgart, conducting the Paulus-Chor Stuttgart.[1] In 1960 he founded the Schola Cantorum Stuttgart, a vocal ensemble of 16 to 18 professional singers, with a repertoire focused on both classical vocal polyphony as contemporary music, performing more than 80 premieres and first performances of choral works. Among the composers who wrote music for the ensemble are Pierre Boulez, Brian Ferneyhough, Vinko Globokar, Gérard Grisey, Heinz Holliger, Mauricio Kagel, Helmut Lachenmann, György Ligeti, Krzysztof Penderecki, Steve Reich, Dieter Schnebel, and Hans Zender. Gottwald directed the ensemble until the dissolution in 1990.

As a composer, Gottwald specialised in "arranging" classical music from different genres for an a cappella group of up to 16 voices in the style of György Ligeti. He had the initial idea at a workshop of Pierre Boulez, "transcribing" Ravel's Soupir from his Trois Poèmes de Stéphane Mallarmé similar to Ligeti's use of voices in Lux aeterna.[2] In particular, his arrangement of Gustav Mahler's Rückert song "Ich bin der Welt abhanden gekommen" for voices (1985) was made known by Swedish choral conductor Eric Ericson and has been repeated by many leading choirs. Gottwald arranged works by Alban Berg (Die Nachtigall), Hector Berlioz (Sur les lagunes), Claude Debussy (Les Angelus, Des pas sur la neige), Franz Liszt (Zwei Lieder, two songs), Gustav Mahler (Drei Lieder, three songs), Giacomo Puccini, Maurice Ravel (Soupir), Richard Wagner (Zwei Studien zu "Tristan und Isolde"), Anton Webern (Vier frühe Lieder, four early songs), Hugo Wolf (four songs including Auf ein altes Bild and Der Gärtner), among others. In his arrangements for voices, he used text freely, for example a combination of a French poem by Rilke with poetry by Mallarmé in his arrangement of Debussy's prelude for piano Des pas sur la neige. His adaptations of Wagner and Mahler were praised: "Gottwald has been truly effective at transferring the romantic orchestra onto the choir". His way of arrangement has been termed "re-create them in a magical choral world".[2]

In 2009 he received the Kulturpreis Baden-Württemberg (Cultural Award of Baden-Württemberg) for his lifetime achievement[3] and in 2012 the Preis der Europäischen Kirchenmusik of Schwäbisch Gmünd, for his contributions to sacred music.[4]

Selected recordings

as choral conductor

as composer

Selected publications

Literature

References

  1. ↑ "Clytus Gottwald". All Music. Retrieved 11 July 2012.
  2. 1 2 Robert Hugill (2006). "Clytus Gottwald (b. 1925): Choral Transcriptions". musicweb-international.com. Retrieved 12 July 2012.
  3. ↑ "Preisträger Kulturpreis 2009" (in German). Stiftung Kulturpreis Baden-Württemberg. 2009. Retrieved 16 July 2012.
  4. ↑ "Preis der Europäischen Kirchenmusik 2012 - Clytus Gottwald" (in German). Schwäbisch Gmünd. 2012. Retrieved 12 July 2012.
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