Carlo Caproli

Carlo Caproli or Caprioli (before 1620 – after 1675?[1]), also called Carlo del Violino, was an Italian violinist, organist, and a leading composer of cantatas in mid-17th-century Italy.[2][3]

Excerpt from the cantata Quietatevi pensieri by Carlo Caproli

Life

Early life and career

Carlo Caproli was born in Rome. His father (originally from Poli) was a seller of green vegetables (erbarolo).[4]

He was recorded as Carlo del Violino in 1636, when he was engaged by the Barberini family for performances of Santa Teodora (with a text by Giulio Rospigliosi[5]). Caproli was considered to be a maestro di cappella beginning in 1638, and was in charge of the music for the festival of the patron saint of San Girolamo degli Schiavoni up to 1643.[2]

He was an organist under Giacomo Carissimi at the Collegio Germanico beginning in September 1643 and held the post until 1645.[2][3] On 15 November 1644 he was appointed aiutante di camera under Cardinal Camillo Pamphili, but left that position in April 1647. He first appeared at San Luigi dei Francesi on 25 August 1652 as a violinist hired for the occasion.[2]

Caproli's wife was related to the Roman publisher Agostino Mascardi.[2]

Paris

In November 1653, Caproli and his wife went to Paris, where he was commissioned by Cardinal Mazarin to compose the opera Le nozze di Peleo e di Theti (music lost) with an Italian libretto by Mazarin and Francesco Buti. The premiere, which included ballet intermèdes with a French text by Isaac de Benserade and music by uncredited French composers, was given on 14 April 1654 at the Théâtre du Petit-Bourbon with decors by Giacomo Torelli. The 15-year-old King Louis XIV appeared in no fewer than six roles. The production received nine performances, the final two open to the public, and it was considered a great success, although this was primarily due to the French ballets in the intervals.[2][6] For his efforts, Caproli was made maître de la musique du cabinet du Roy, which suggests he may have directed the performances.[2]

Later career in Rome

Caproli returned to Rome in 1655. He again directed the music for the festival of San Girolamo and, as one of the best violinists in the city, made numerous appearances, including at San Luigi dei Francesi, Santa Maria Maggiore, and Santa Maria del Popolo, where he played for the Vespers of 8 September. In 1665 he took up the post of guardiano of the instrumentalists at the Congregazione dei Musici di Roma (later the Accademia di Santa Cecilia).[2] He composed numerous solo and ensemble cantatas, many with instruments, and several oratorios.[3]

Caproli died in Rome.[2]

Works

Stage works

Cantatas

Number of voices, accompaniment, and location of the score are given in parentheses after the title. According to Eleanor Caluori, many of these catatas are incorrectly attributed to Francesco Mannelli in the first edition of Die Musik in Geschichte und Gegenwart.[2]

Aria

References

Notes

  1. ↑ Dates of birth and death are from Caluori 2001. Sadie 1990 and Caluori 1992 both give (1615/20 – 1692/5).
  2. 1 2 3 4 5 6 7 8 9 10 Caluori 2001.
  3. 1 2 3 Sadie 1990, p. 59.
  4. ↑ His father's occupation is recorded in the 1625 register of the parish of San Eustachio (Caluori 2001).
  5. ↑ Bianconi & Murata 2001.
  6. ↑ Bjurstrom 1962, p. 128.
  7. ↑ Copy at IMSLP.
  8. ↑ Attributed to Cesti in François-Auguste Gevaert, Les glories de l’Italie, Paris, 1868; and in Alessandro Parisotti, Arie antiche, Milan, 1885–1888.

Sources

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